Anton Sie, the respected violin maker based in Hong Kong, passed away in June 2023 at the age of 87. He was widely recognized for his in-depth research into the acoustics of violins and his thoughtful contributions to the field, including published articles in the Catgut Acoustical Society (CAS) journal. His life and work were detailed in Elizabeth Ostring’s 2017 biography, Crafting a Symphony in Wood.
Born in 1935 in Kudus, Indonesia, Sie pursued higher education in theoretical physics at Jilin University in China. Following graduation, he worked as a researcher at China’s North Eastern Institute of Physics, focusing his studies on quantum physics and acoustic physics. His interest in violin making was sparked when he crafted a 1/8-size violin for his seven-year-old daughter, which was noted for its remarkable acoustical quality during her music examination.
In 1977, Sie relocated to Hong Kong where he provided private lessons in violin, cello, and guitar. Over time, he concentrated more heavily on the craft of violin making and repair, serving notable clients such as the Hong Kong Philharmonic Orchestra and visiting musicians. Notably, in 1982, he acted as an interpreter for Carleen Hutchins, the American luthier and acoustician who co-founded the Catgut Acoustical Society (CAS), during her pioneering visit to China. This event was among the initial academic exchanges between Western and Chinese experts in violin making.
In 1988, marking the Chinese Year of the Dragon, Sie crafted a unique violin distinguished by its dragon-themed neck, scroll, and f-holes, celebrating both the art of violin making and traditional Chinese culture. This piece was exhibited at the Hong Kong Art Centre Exhibition, showcasing his artistic innovation and cultural homage.
Sie’s legacy remains influential among luthiers and musicians, reflecting his integration of scientific principles with traditional craftsmanship.
— The Violin Post Editorial Staff
